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For me, the architectural givens have always inspired creativity and
allowed for greater artistic opportunity. I believe that, if the
integration of art and architecture is to be successful, the architect and
artist must understand and agree on what the building and the
work of art are to do for each other and for the people who live or work
there.
Lutz Haufschild was born and raised in Germany, and has been working as an
independent sculptor and glass artist in Canada since 1969. A graduate
of The Advanced Institute of Art and Technology in Hanover, Germany,
Haufschild is best known for his large architectural stained-glass
commissions. His work shows that sensitivity and innovative use of concepts
and materials have made stained glass a favoured medium for contemporary
public art installations.
Haufschild has created over 200 stained-glass installations and sculptural
commissions for shopping centres, commercial buildings and public and
private collections in Canada, Germany, Japan and the United States. Large
architectural works are located at the Skydome Stadium and the Bata Shoe
Museum in Toronto, and at Robson Court and the International Airport in
Vancouver. His large-scale commissions have also included 35 installations
in ecclesiastical buildings in Canada, Germany and the United States.
In addition to his many commissions, Haufschild has also won numerous
awards for his innovative work in stained glass, including the 1986 Grand
Prize for best stained glass from Professional Stained Glass
Magazine, New York. Haufschild's work is represented in public and
private collections in Germany, Mexico, Switzerland and the United States.
In Canada, he is represented in the collections of the Canadian Museum of
Civilization, Hull; the Claridge Collection, Montreal; the Canadian Craft
Museum, Vancouver, and the Canadian Clay and Glass Gallery, Waterloo.
Haufschild has also been a tireless champion in the promotion of sculpture
and stained glass, and has written articles for numerous publications in
Canada and abroad. He served as editor of The Leadline Magazine,
Toronto, in 1991; contributing editor for Professional Stained Glass
Magazine, New York from 1991 to 1992; and continues to act as
contributing editor for Glass Artist Magazine, Newtown,
Pennsylvania. He has also lectured and taught courses and workshops in
universities and art schools in Australia, Canada, Germany, Mexico and the
United States.
Lutz Haufschild continues to be an active volunteer in his field. He
served on the Board of Trustees of the Canadian Craft Museum, Vancouver;
and on the Board of the Artists in Stained Glass, Toronto; and in 1991 and
1992, chaired the World Glass Congress in Dallas, Texas and Reno, Nevada.
In 1995, Lutz Haufschild became a member of the Royal Canadian Academy of
Arts.
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