Gathering stone from the Arctic tundra and chiselling it into a block that is then covered in paint and rolled onto a print
Copying the source drawing onto a stone block, then chipping away material to leave a raised surface upon which coloured inks are rolled
Copying the source drawing onto parchment paper, then laying the parchment paper over a block of stone and cutting the stone to create a mirror image of the paper version
Carving stones and glueing them to a metal surface to resemble a paper drawing, then covering the stone with ink and pressing the paper to the stone to make an image
Stencil printmaking involves:
Cutting openings into paper and then applying ink through the openings onto another piece of paper, one ink at a time
Cutting openings into a thin sheet of stone, usually slate, then applying ink through the openings onto a piece of stiff paper
Cutting openings into paper, laying the paper on a block of stone, applying ink through the paper onto the stone and finally pressing printmaking paper to the ink-covered stone
Glueing precut stencils in a pattern on a stone block, then dipping the stone in ink and rolling it onto printmaking paper
Lithography requires the following materials:
Turpentine, grease, ink and gum
Aluminum, chalk, soup, limestone and rubber
Tar, steel, paper and ink
Soap, water, sand and ink
Engraving, etching and aquatint techniques have this in common:
They require high air pressure to infuse the paper with ink
They use the same tools to cut an image on a metal plate
Shallow grooves or pits are cut into a metal plate, ink is applied to the plate and then wiped off, leaving ink only in the grooves.
They require high temperatures
The following tools are used in engraving, etching or aquatint printmaking:
Grinder, jig saw, scroll saw
File, chisel, mallet
Razor, buffer, sander
Graver, needle, scraper
Bonus Question! Screen, or serigraph printing, uses this to block the passage of ink through parts of the screen: